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I was crying as he narrated the second half. It was one of the most beautiful scripts I have read. When Mehra sir had decided to make the film about a year and half ago, he showed me the script. You played a brief role as Milkha's love interest in Bhaag Milkha Bhaag.
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It was tough as we kept on doing the scene over and over again. And when you internalise such emotions, you start corroding inside if you don't let it go. It was very difficult to internalise the emotions and show it on my face, through my eyes, expressions and body language. For a sequence in which I say, " Maine ek aansu bhi nahin bahaye," Aanand sir told me to express that trauma and angst without crying. There is no redemption for her and she doesn't forgive anybody for the trauma she is going through. Honestly, every sequence was a challenge because of Zoya's mental angst. Was there any aspect of Zoya that you found particularly tough to crack? It was difficult to portray and if I have made an impact, it's thanks to the whole team, not only to Aanand sir and me. She couldn't be completely negative or completely positive. Zoya was a complex character and had a range and character graph, yet there had to be a balance. I was part of the film from beginning to the end, an opportunity I had not been given before. Rai.īut if you are talking about Raanjhanaa, there was also scope to perform there. There are a couple of directors who have done that for me - Rakeysh Omprakash Mehra and Aanand L. Yes, I am aware that the potential and talent is all there, but it has to be drawn out. Rai) would tell me, " Beta if there is no water in a well you cannot draw it out". If I were on stage, I would take all the credit for a good performance but film-making is a director's medium and I have to give credit to the director. Who would you give the credit to for your performance in the film? Raanjhanaa's Zoya was a complex character, which you portrayed exceedingly well. With the success of both Raanjhanaa and BMB, I guess, people are suddenly noticing me more. It was just a case of my films not succeeding. I got good reviews for my performances in all my earlier films, be it Saawariya, Delhi 6 or Mausam, but people don't remember that. I don't know if I have entered a new phase in my career. Would you say you've entered a new phase in your career with Raanjhanaa and Bhaag Milkha Bhaag? She, however, admits that she keeps track of the reviews of her films and the verdict of both the films have left her glowing. She has not even activated the google alerts to keep track of stories printed on her as she doesn't want to get 'self-obsessed about what's being written about her'. The pretty actress is oblivious to all the flattering articles as her work has kept her busy. The feeling of euphoria is yet to sink in as Kapoor has been busy wrapping up the shooting of Nupur Asthana's untitled film and gearing up for her home production Khubsoorat. 100 crore mark, the actress is definitely in the limelight. Before that, there was Raanjhanaa in which she wowed her fans as Zoya and won over the most hardened critics with her depiction of angst and anguish.
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She's dressed simply in a short kurta, loose salwar and a dupatta draped around her in her latest outing Bhaag Milkha Bhaag (BMB), but nothing can take away the gamine charm of Sonam Kapoor's face - that half smile playing beguilingly on her lips and twinkle in her eyes. Aanand sir would tell me, "Beta if there is no water in a well you cannot draw it out" But I do watch myself on screen as I want to learn from my mistakes It's only when I am apprehensive about a scene that I go and check the monitor. I don't look at myself in the mirror, and I don't look at myself on the monitor when I am shooting.